↑ Newsweek's weekly "two numbers" column alleges "Americans are nearly as likely to believe in intelligent aliens as they are in evolution."
Art Direction: Jessica Fitzgerald
↑ Newsweek's weekly "two numbers" column alleges "Americans are nearly as likely to believe in intelligent aliens as they are in evolution."
Art Direction: Jessica Fitzgerald
↑ Bloomberg asked me draw the portraits for this year's 50 Most Influential list.
↑ All 50 portraits as seen in the print edition of Bloomberg Markets Magazine.
↑ John Taylor
↑ Jeff Besos
↑ Janet Yellen
↑ Reid Hoffman
↑ Jorge Paolo Lemann
↑ Warren Buffet
↑ The double gatefold chart in the print magazine seems to function better as an online presentation.
Art Direction: Lou Vega
↑ The New Yorker's Review of the film, Spotlight.
↑ Rachel McAdams, Michael Keaton, Mark Ruffalo, and Brian d’Arcy James play Boston Globe reporters in Tom McCarthy’s film.
Art Direction: Chris Curry.
↑ The New Yorker's Mission Impossible: Rogue Nation film review.
↑ Unused Sketches.
Art direction: Chris Curry.
↑ The New York Times Sunday Book Review "Summer Fiction" edition's cover story: a review of Ottessa Moshfegh's Eileen.
↑ Unused Sketch. Snowy New England features prominently in novel. After my first set of sketches was received, I was informed that this was the Summer Fiction edition and asked to remove the snow and add the headline.
Art Direction: Joele Cuyler
↑ The D.I.Y. ethos of indie rock gave rise to the start-up culture of the tech industry according to The Atlantic Monthly.
↑ Zines, mixtapes, nerds.
Art Direction: Elisa Glass
↑ A reimagined scene from the broadway musical, "Fun Home" based on Alison Bechdel's graphic novel of the same name.
↑ In print.
↑ An illustration which accompanied the New Yorker's review of "Snowpiercer" last summer.
Thanks to Art Director Chris Curry for thinking of me for such varied assignments!
↑ Cover of the New York Times Book review feature a scene from Richard Price's novel, "the Whites."
↑ The cover layout.
↑ Unused sketches. ↓
↑ The title, The Whites "alludes to the cases that haunt detectives through careers and post-careers. The white whales. The ones that got away."
Art Direction: Nicholas Blechman.
↑ Wraparound book jacket design with hand lettering.
↑ The book features stories about Detroit legends (from left to right) Barry Sanders, Martin Lawrence, Elmore Leonard, Isaiah Thomas, Eminem, Steve Yzerman, Hulk Hogan, And Andre the Giant.
↑ Unused sketch.
Art Direction: Juliet Litman
↑ Feature illustration for GQ Germany.
Art Director Jana Meier-Roberts and I collaborated on a set of images rethinking a few famously complicated relationships in movies.
↑ HBO's new series, "The Leftovers." Type designed by the Wired staff. Special shout out to my friend, actress Natalie Gold (far left) who featured prominently in the series trailer.
↑ Wired article layout.
Art Direction:Victor Krummenacher, Allie Fisher
↑ Art Director Paloma Lorenzo recently commissioned this portrait of Stephen Hawking for the cover the cover of El País Semanal, the Spanish newspaper's weekend magazine supplement.
↑ The image was later purchased by La Reppublica for the Italian translation of Jose Edelstein's article.
↑ Philip Roth and Norman Mailer for the New York Times Sunday Book Review. ↓
↑ Unused sketch with an early headline which was ultimately scrapped.
↑ Columnists for the New York Times Sunday Book Review's new weekly series, "Bookends."↓
Art Direction: Nicholas Blechman
↑ Henry David Thoreau and his small cabin at Walden Pond.
↑ Two separate articles reviewing books on climate change. Art Director Nicholas Blechman proposed two illustrations that combine to suggest a single narrative.
Today is the release date for the Shark King. I couldn't be happier with the way the printing and production turned out. Reviews have started rolling in, including a starred review from Booklist.
Regular readers of the New Yorker will be familiar with the weekly "spots:" a series of small, usually black and white illustrations scattered throughout the text of the entire issue. This has always been one of my favorite features of the magazine, so I was honored to when editor Françoise Mouly asked me to take a stab at it. She suggested the theme of hoodies in memory of Trayvon Martin.